Omnidirectional microphones are used to capture ambience, and with their ability to listen at 360 degrees, you’ll experience a feeling of total immersion, with background noise and sensitivity characteristics that are among the best available. They are rarely used in other circumstances, but you’ll be surprised to try them out, especially in instrument recording (acoustic instruments, overheads, guitar amps, podcasts, documentaries), where they add space and realism.
Custom-assembled microphone, the first Immersive soundscapes microphone. You have the choice of cable length or connector type (XLR, XLR low profile or mini jack).
Upgraded version of Standard Earsight with included clips and lightweight. Can be used as lavalier mic.
Smallest Earsight microphone with included clips, a bit less sensitive and more suitable for using as a lavalier microphone.
Binaural version of Earsight microphone to capture incredible sound with unique spatialisation and with the sensitivity and low-noise characteristics offered by Earsight microphones.
Microphones for use on a stereo bar or directly plugged on your audio recorder.
Microphones for use directly plugged on your audio recorder with extended windshield compatibility (CVM-MF1, Softie, BBG)
Version for use in strong winds, designed to accept Rycote Baby Ball Gag (BBG) windshields. For use on a stereo bar or directly plugged on your audio recorder.
Plug in your microphone in a blink of an eye, and you will never miss a sound again. Mini jecklin disk in option. Designed for Tascam FR-AV2, Zoom F3 and Sound Devices MixPre recorders.
Full metal version of Earsight microphone and quipped with capsules capable of handling sound pressure of 135dB, they are ideal for recording loud or percussive sounds. Designed to be used like an SDC pencil mic, inside a blimp or with rycote BBG windshields.
